Chastain tackles the songs herself, and though her pipes are decent, her performances never quite transcend honky-tonk bar karaoke.
Watching the series, you miss the specific and elusive magic of Wynette’s own voice, making clear how easy it is to take for granted.
As Clinton’s curt 1992 dismissal attests, the women Wynette sang about and embodied in her songs often seemed at odds with second-wave feminism.
She often sang about the sorts of people and situations that aren’t usually championed in a culture that devalues women’s work and doesn’t treat their perspectives seriously.
Easton notes, astutely, that Wynette’s songs often depicted “failures of the domestic,” and that “Wynette’s best work is about when the most private failures become public scandals.”
Persons:
Wynette, Jones, weepie “, ”, George, Tammy ”, Chastain, Steacy Easton, Tammy Wynette, Easton, Clinton’s curt, “
Locations:
Nashville